Kiln-fired
Enameled Art Glass Mosaic
Enameled Art Glass Mosaic
My Lakota ancestry and the mysterious nature of glass inspire my fascination with making art. Glass contains light. When I depict a person from the past in glass it has a three dimensional depth that I could never achieve with paint.
My artworks are glass mosaic tiles. Most of my images are based on black and white figurative photographs of my ancestors. Color is central for emotional power but the true value of an artwork lies in its ability to communicate directly with the viewer.
The saturated colors, transparent and light capturing qualities, iridescence, textures and patterns of glass captivate me. My artwork requires a myriad of steps to coax the contrasting areas to coalesce. Each artwork that I create cycles through three different mediums: stained glass, vitreous enameling and tile work. All of the pieces of glass must be hand cut and ground, some or all of the pieces are painted with glass enamel (powdered glass and a medium) and fired slowly in a kiln to over 1000 degrees (often multiple times) creating a glass on glass piece, all are then set in place by hand. Only after the very last step - the application of custom-tinted mortar - the whole becomes visible for the first time.
My artworks are glass mosaic tiles. Most of my images are based on black and white figurative photographs of my ancestors. Color is central for emotional power but the true value of an artwork lies in its ability to communicate directly with the viewer.
The saturated colors, transparent and light capturing qualities, iridescence, textures and patterns of glass captivate me. My artwork requires a myriad of steps to coax the contrasting areas to coalesce. Each artwork that I create cycles through three different mediums: stained glass, vitreous enameling and tile work. All of the pieces of glass must be hand cut and ground, some or all of the pieces are painted with glass enamel (powdered glass and a medium) and fired slowly in a kiln to over 1000 degrees (often multiple times) creating a glass on glass piece, all are then set in place by hand. Only after the very last step - the application of custom-tinted mortar - the whole becomes visible for the first time.
